SIGUR ROS send Tokyo into ecstacy

Post-rock icons SIGUR ROS wowed fans with a superb set at Nippon Budokan in Tokyo Japan. This venue, which translates to “Japan Martial Arts Hall,” is often used for massive sumo and judo tournaments, however also doubles as an arena for huge live shows, the first of which was The Beatles in 1966.

On Tuesday evening, the arena was sectioned off halfway to make way for an expansive stage, large enough to comfortably house the eleven-piece live band. This incredibly popular group, hailing from Iceland, last played in Tokyo a mere 9 months ago, performing at one of Japan’s largest music festivals, Summer Sonic. Continue reading SIGUR ROS send Tokyo into ecstacy

OMD earn it in Manchester

We arrive to a rammed Manchester Academy, as we await ORCHESTRAL MANOEUVRES IN THE DARK (OMD) aka the original lineup of Andy McCluskey and Paul Humphreys, and Martin Cooper and Malcolm Holmes.

The Mancunians have always had a lot of love for this band, and the die-hard fans are already at the merch stand stocking up on their memorabilia. Ambient music fills the venue as the fans get ready to greet their synthpop heroes. Continue reading OMD earn it in Manchester

NATALIE MCCOOL Photo Shoot in Manchester

We meet Liverpool’s NATALIE MCCOOL in Manchester. Having just released her brilliant debut album, she’s fired up and ready to take on the UK and beyond.

Here are some shots that our ace photographer SINEAD MARIE took of Natalie in central Manchester. Shot on a rooftop, staircase, and garage basement of a restored building not far from Piccadilly station, the photographs reflect the class and edginess of this talented singer-songwriter who is going from strength to strength. Continue reading NATALIE MCCOOL Photo Shoot in Manchester

ABISHA UHL (Sick of Sarah) Interview

[tabs tab1=”Intro” tab2=”Japan” tab3=”Career” tab4=”Band” count=”4″]
[tab_first]

Minnesota’s SICK OF SARAH lead singer ABISHA UHL is back in Japan. Considering it to be her first home, she lived there until she was 18, spending a lot of that time on military bases.

The five-piece band that brought Abisha to fame started out in 2005 and things have been busy since then, having produced 2 LPs, including their 2011 album “2205” shrewdly released through BitTorrent, achieving platinum-equivalent status. The band is known for stage-blasting performances, Abisha often seen crowdsurfing into the crowds. She loves the human contact with her fans and is one of those rare people who will spend real time with them, even joining them for a spot of sightseeing.

We met up with Sick of Sarah last year in London when they supported LA band UH HUH HER at Shepherd’s Bush Empire. A fine old time was had backstage and SoS went on to blow the headliner right off the stage. (READ OUR INTERVIEW WITH SICK OF SARAH HERE)

Almost one year on, we meet up with Abisha in Shibuya, Tokyo for a photo shoot (SEE OUR FULL PHOTO GALLERY HERE) and to talk music, touring and Japan. We settle ourselves into a cheap izakaya with edamame and “samurai sake” before getting down to business.

[next]

[/tab_first]
[tab]

Welcome back to Japan! How long since you were last here?

I want to say about 3 years ago. I was visiting my parents in Okinawa and then I came to Tokyo to do a radio interview with Tokyo FM.

So, you grew up in Okinawa before moving to the States in your late teens. For people who don’t know, what are the differences between growing up in Okinawa compared to say Tokyo?

So, the difference between Okinawa and Tokyo is Okinawa has a very islander kind of lifestyle, it’s a lot more chilled and laid back, as opposed to Tokyo where it’s way more high energy, lots of people going places constantly – there are a lot more people – that’s the biggest difference. I really liked the islander style – it’s so laid back and I’m still like that. Tokyo is probably a little too much for me… I mean I love it, it’s like a party here, which is also fun.

What are some of your favourite things about Japan?

I love everything about Japan! I definitely consider Japan my first home, and I’m always going to consider it my first home, just because I feel more at home here than I do in the States. I like the people, I love the food and the vibe – people are so friendly and so down to earth, you can leave your bike somewhere and not have to lock it up, you don’t have to worry about people stealing your shit – it’s really cool.

As a band you’ve never toured Japan, is that something you’re looking into?

We would absolutely love to tour here. It’s just so expensive to do that, so that’s one of our dilemmas. But yeah we want to tour Japan – it’d be crazy! I would love to come over here with HUNTER VALENTINE or GIRL IN A COMA – bands that we’ve toured with in the States, because you kind of get this ladykiller tour thing that we’ve got going on, and we’ve done it all over the US and Canada. But, yeah I’m sure there are groups over here we’d love to play with – GROUP A would be the number 1 band we would want to tour with here!



[previous]      [next]

[/tab]
[tab]

When did you start getting into music?

I started playing the drums when I was about 11 or 12. I played the drums for a couple of years, then as soon as I picked up a guitar when I was 13, I stopped playing drums and focused all my attention on writing. I started writing right away – I had a knack for it. Both of my brothers were musicians, so I really looked up to them and that’s what’s really got me inspired to play music.

I just grew into it and my brother was very encouraging, and that really made me happy. I wanted to be like my brothers – I was like, “They’re so cool!” so that was definitely a reason I continued doing it.

How long after you moved to the States did you form Sick of Sarah?

Well I moved there when I was 18 and I formed the band when I was 23, so I kind of lived a little bit, did some college, dropped out… I was 25 when we actually got discovered. We did this showcase that we really didn’t want to do because it was like 500 dollars to be in this showcase. They really wanted us to be in it, but we were like, “We’re not gonna pay 500 bucks to be in this show!” Then, they ended up just putting us in it anyway because they really wanted us to play it, and there was a guy from Hollywood Records who really liked us and told his friend to watch us. Then we were flown out to LA to record a five-track demo, which is really bad looking back at it now, but that’s how we got our manager. He then formed an independent record label, and 2 albums later this is where we’re at.

We’re now working on our third album, we’ve travelled all over the world, we’ve toured with THE BANGLES, we’ve made good friends with HUNTER VALENTINE, we’re friends with HEART, we’ve opened up for JOAN JETT – we’ve done a lot of really cool things and played with a lot of really cool bands… GOD-DES AND SHE, GIRL IN A COMA… It’s been a great ride and we’re still on it, so it’s fun!


How do you feel about being a female lead singer in an industry dominated by males? Do you find you’re treated differently?

I don’t feel like I’ve had any weird experiences and I don’t feel like I’ve ever been treated differently, but maybe I just wasn’t paying attention. I’ve played with guy bands and sometimes they’ll kind of brush us off, but then they’ll watch us play and and they’re like, “Ok, you guys are good!” I’ve noticed, I guess, that we get treated differently, no matter who’s watching, but then after they hear you play, you gain more respect. I think you’ll get that whether or not you’re a female or a male though.

And how do you feel about the state of the music scene for women in the industry? Do all-female bands get as much exposure?

I would think that, exposure-wise, it’s almost harder if you’re in a guy band, because the music industry is just saturated with guy bands. So if you’re in a female band, people might take more notice because it’s not as common to have that – there are fewer female musicians than male musicians, so it might actually be more of an advantage. I’ve always heard female musicians kind of get the brush off though.

[previous]     [next]

[/tab]
[tab]

What was the deal with the BitTorrent re-release of your album “2205” in 2011?

Yeah, we released our music to BitTorrent – they liked our music and they asked us if we wanted to do this, so they were basically like, “We’re going to release your record for free on BitTorrent” and we broke the charts as far as downloaded records. Like we had over 1.5 million downloads of the record, so that was a great thing – it was awesome.

Amazing! So where is Sick of Sarah musically at the moment? Can we expect a new release soon?

Yes, we’ll be releasing a new album. We have all our songs demoed up and now it’s just a matter of kind of working out the kinks. We’re going to record at the end of summer, so it should be released before 2014.

Have you guys picked a title yet?

It’s going to be called “Abisha Rules!” No, we haven’t thought of a name yet, we’ll see… But I am thinking that “Abisha Rules” would be a fantastic name! Or “Abisha’s Awesome” or “Abisha’s Ichiban.” I’m going to talk to the girls about it – I hope they’re down with it? Probably not…

Any crazy stories from your last tours?

It was really cute in London – we ran into some girls at a Chipotle or something, and the girls literally dropped all their food when they saw us. That was really funny! There’s some crazy shit, people are funny and they’re aggressive, and we get a bunch of cool presents. And marriage proposals are fun – I think I’m engaged to at least a few hundred girls right now, and maybe like two guys. Oh bras, yeah, we get bras thrown on stage, which is fun. We got a really big pair of panties one time, and a huge bra! People drop their pants and take off their panties, which is a little strange. I’m like, “Uh… you might need that!”

[previous]

[/tab]
[/tabs]

LIVERPOOL SOUND CITY – BO NINGEN

The last time we saw BO NINGEN live, it was when they were squeezed into a tiny box room in Manchester’s Hotel Salutation as part of last year’s AND (Abandon Normal Devices) Festival. Barely able to thrash around, they played an intense set to the limited number of people who were able to fit into the room with them. It was a memorable night.

We’re thrilled to catch up with the band again. Continue reading LIVERPOOL SOUND CITY – BO NINGEN

LIVERPOOL SOUND CITY – ENTER SHIKARI

We meet ENTER SHIKARI’s Chris Batten (bass) and Rob Rolfe (drums) backstage to chat about them, the band and the industry. Contrary to what you might imagine based on their famously crazy onstage antics, the lads are the picture of charm and we’re impressed. They are completely open about the band’s experiences and trajectory, know the industry in and out, and are firm believers in creative independence. They also love supporting a good cause and are eager to show their support for the jailed Pussy Riot girls. Continue reading LIVERPOOL SOUND CITY – ENTER SHIKARI

Scenes from LIVE AT LEEDS 2013

The annual LIVE AT LEEDS festival once again took over the UK city on Saturday 4 May, as part of the 3-day event, offering up an array of British and international talent.

Here are some bands we caught on our trek round the city.

Birmingham’s LAURA MVULA has had a very busy year so far, having been nominated for a BRIT, winning fourth place in BBC’s Sound of 2013, and releasing her debut album. Continue reading Scenes from LIVE AT LEEDS 2013

LIVE AT LEEDS – SAVAGES

We’re wading our way through the crowds, and winding our way down the staircases towards the main floor here at Leeds University Stylus. It’s filling up quickly, as SAVAGES start setting up. Singer Jehnny Beth is characteristically stalking the stage in her blue denim jacket, making sure that everything’s in place.

Whoops spread across the venue. It’s Saturday night, and word is out that LIVE AT LEEDS is hosting one of the UK’s buzz bands. Continue reading LIVE AT LEEDS – SAVAGES

LIVE AT LEEDS – SWISS LIPS, LONDON GRAMMAR

We have a comfortable entry into the Saturday all-day gigfest at the annual LIVE AT LEEDS. As we arrive at the press centre based in Leeds City Museum, a healthy queue for wristbands is building up outside and the sun is beginning to beat down on dedicated gig-goers. We’re greeted by friendly staff and buckets full of Fosters lager – bit early in the day since it’s barely midday, but we are in Leeds. Having driven in from Manchester, we’re on the hunt for caffeine, of which there is none. Continue reading LIVE AT LEEDS – SWISS LIPS, LONDON GRAMMAR

LIVERPOOL SOUND CITY – ALUNAGEORGE, JETTA, FINDLAY, CHLOE HOWL

ALUNAGEORGE is on the rise. We were curious to see if they lived up to the recorded quality we were fast becoming familiar with. The Garage pit is packed with close to 25 photographers, and we’re made to wait for a long time as set up takes place.

The set starts off with a few hitches, but things resolve quickly. Singer Aluna Francis looks stunning as she emerges in long white jacket, black hotpants and fabulous earrings. And she’s terribly tiny. Continue reading LIVERPOOL SOUND CITY – ALUNAGEORGE, JETTA, FINDLAY, CHLOE HOWL

LIVERPOOL SOUND CITY – LONDON GRAMMAR

We’re excited to see LONDON GRAMMAR live. As part of the stunning LIVERPOOL SOUND CITY lineup, we’re at the East Village Arts Club (EVAC) to check out this London band who have been gathering buzz with their standout tracks.

Dressed casually and with a very calm and endearingly shy onstage presence, the 3-piece band look at home in this intimate venue. Rare for any London bands, they seem genuinely humbled to play the festival and to be invited to perform in a city famed for its connection with music. Continue reading LIVERPOOL SOUND CITY – LONDON GRAMMAR

LIVERPOOL SOUND CITY – SAVAGES

London sensation SAVAGES crept up on many by surprise. We were there for the unforgettable Fuhrer Bunker gig last May where the foursome blasted open the eyes and ears of the limited number of Mancunians who were able to squeeze into the now famed venue housing the iconic wooden caged stage.

We happen to pass lead singer Jehnny Beth in the streets of Liverpool a few hours before their set at LIVERPOOL SOUND CITY popup Art Academy stage. Continue reading LIVERPOOL SOUND CITY – SAVAGES

LIVERPOOL SOUND CITY – NO CEREMONY

I’ve been wanting to catch NO CEREMONY /// for a while. Captivated by the stunning tracks and videos that can be found online, I was excited to hear that they were a late addition to the LIVERPOOL SOUND CITY lineup.

Here at the East Village Arts Club (EVAC) Loft, the Manchester band who have been keeping the press in the dark, were literally keeping us in the dark. With pretty much only the projector light shining on the stage, we at least get to check out in person who this elusive three-piece are. I get a little goosebump as they come onstage and take their positions. Continue reading LIVERPOOL SOUND CITY – NO CEREMONY